The Philadelphia Centennial Exposition was a big event in Victorian society. One of the most popular exhibits was the Japanese pavilion with its fascinating crazed ceramics and asymmetrical art. Women were eager to incorporate this new look into their quilts and with the help of popular women’s magazines the making of crazy quilts became quite the rage. Creativity was wide open with women sewing asymmetrical pieces of fabric together in abstract arrangements. This enthusiasm for this quilting fad continued until about Early quilts made in the crazy style were more show pieces than functional and were often made as smaller unquilted “lap robes” that were used to decorate the parlor. They were fitting showpieces for the lavish interior decoration of the day. These quilts were usually made using velvet, silk and brocade fabric, cut and pieced in random shapes.
Crazy Quilting – Antique / Vintage
Antique Quilt Dating A forum for research and ideas about quilt history, the women, and textiles: – An educational site on antique quilts and their history, quilt historians,. I’ve developed a quick guide for dating antique quilts on the run while you. Dating quilts – a brief overview. Vintage and antique quilts serve as handsome decorating pieces, particularly in.
The heyday of Victorian crazy quilting was circa However, these crazy quilts were made from until the late ‘s. Any Crazy quilt containing a date.
Very interesting! I love crazy quilts. Making them and studing others. Thanks for the info. I’m looking forward to your next post. I have been planning on making a crazy quilt for some time now. So far we are still gathering the fabrics. From what I can see, there are very little printed fabrics in crazy quilts, most of the fabrics are solids with a few variations.
These kind of quilts date back to the Victorian Era. These pieces of fabric often came from garments used for special events i. I am not really a Crazy Quilt kind of girl … I fit more into the patchwork genre. Crazy quilts seemed to be too haphazard; placing all different colored pieces here and there to get a mixed-together design. This fits my personality better.
Quilt. No description. Date: Maker: unknown. Material: calico, cotton Victorian crazy quilt composed of 5 1/2″ blocks and approximately 5″ border.
Although the technique of quilting existed throughout history quilted items have been discovered in Egyptian tombs, for example, and French knights used quilted jackets under their armor , quilts as we think of them didn’t start showing up on the American scene until just prior to I believe the earliest existing European quilts are a pair of whole cloth trapunto ones, telling the story of Tristan and Isolde dating from the early ‘s. The oldest quilts in the Smithsonian collection go back to about A side note from The Patchwork Pilgrimage :.
In colonial America, thread and needles were expensive. Cotton was not readily available – the cotton gin was not invented until – and so the majority of fabrics used in clothing were linens, wools and silks. What you might have seen prior to were quilted petticoats, worn for warmth.
“A little scrap for recollection’s sake”: Quilts from the Concord Museum
Quilts also reflect social history, such as the westward expansion, pioneering on the Plains, wars, political and religious campaigns, and symbols, working women, interior design through time and more.
Sep 12, – My favorite to date, this crazy quilt is done in vintage blues with red and white over-embroidery. Sized for a double inch scale bed w.
And I think it’s old, but I don’t know how old. I purchased it at an estate sale, the second day of an estate sale. APPRAISER: Well, pieces such as this are called crazy quilts, and they were made all over the United States, so it’s not regional, and they are made primarily of silk fabric, and they were done in America right around , This is the craziest crazy quilt I have ever seen.
It is just an absolute explosion of graphics and colors and forms. We have the signature of the maker right down here. And it’s a woman by the name of Lucy Cox. And it’s interesting that she signed it in such small letters, although she did put a big “L” over here, possibly for “Lucy. And I think the maker of this quilt clearly embraced those theories.
In terms of valuation, do you have any idea what your three-dollar investment is, nowadays?
Crazy Quilt History: A Victorian Craze
They made the production of a families clothing, MUCH easier, and this, coupled with the ability to purchase ready made cloth, allowed the American woman more time, from what had been a pretty utilitarian need for clothing a family, and to allow her to create with an eye toward beauty There is often a similarity in design, from state to state, and it sure would be wonderful to trace one, from place to place – quilter to quilter. These 4 block appliques continued well into the s, depending on where the quilter lived
Antique Dated Heavily Embroidered Crazy Quilt Mixed Fabrics WOW Fabrics, Dating, Quilts,. Expand. Saved from Antique Dated Heavily.
My grandmother made about a dozen quilts in her lifetime and having them around so much as a kid, I sort of took them for granted. As many exhibitions of material culture tend to do, the display gave me a new appreciation for artforms that had surrounded me my whole life. By the late nineteenth century, quilts existed in many styles, some of which were purely decorative, meant for display in the parlor or front room.
Crazy quilts were as much decorative objects as they were a showcase for the talents of their maker. Representing a shift from traditional geometric forms, crazy quilts favor sumptuous fabric and bold colors as the primary design elements. Fancywork included painting, decorating furnishings and textile work. By the end of the nineteenth century women were expressing themselves more freely, though they were still restricted to these traditional feminine mediums.
From the Collection–Wisconsin Crazy Quilt
By Mrs. CMC D Originally, the Crazy Quilt was one of the most economical of patterns, using up all the odd-shaped scraps of fabric that might otherwise have gone to waste.
Crazy quilts, which emerged after , were usually composed of small, artist: Victorene Parsons Mitchell (American, about ); creation date: about.
Quilts and textiles are an important part of our family history. We offer several programs and suggestions to help you properly care for and preserve your textiles, and to document the history of your family treasures. General Textile Maintenance and Preservation. White Bluffs Quilt Museum to preserve and teach Beginning Quilt Restoration 4-classes. General Textile Maintenance and Preservation Textiles are very sensitive to light , chemicals, dust, dirt,oils, smoke, stains, perfume and excessive washing.
Somebasic guidelines for textile preservation are: Avoid direct sunlight , filter fluorescent lights. For display and storage,use only chemically inert materials.
LIFE AS A CRAZY QUILT
The heyday of Victorian Crazy quilting was circa However, these quilts were made from until the late ‘s. Any Crazy quilt containing a date prior to , would most likely indicate a special date from the family’s history.
Crazy Quilt by Sarah Frances Coolidge,. date inscribed , from Copake Auction House. In my book Clues in the Calico I wrote.
This crazy quilt from is part of Lancasterhistory. Look closer and see more layers of decoration. There are embroidered booties, birds, flowers, anchors, bucks and a spider web. And there also are velvet flocked flowers and birds painted onto the velvet. Only a crazy quilt could be compared to a velvet Elvis. Crazy quilts were extremely popular after the Civil War. Patched from scraps of clothing, they were very personal.
Without a key or guide, many of those details have been lost to history. What remains is still a work of art. The quilt was one of 11 Zercher showed during a talk explaining the history of quilting in Lancaster County. The quilt is a crazy quilt made in by Etta Neel, a woman of Scots-Irish descent. Etta stitched her name and the date into the quilt. Crazy quilts were extremely popular after the Civil War and continued through the 20th century. They usually were throw blankets rather than bed coverings, Zercher said.
Not Currently on View Image Licensing. Crazy quilts, which emerged after , were usually composed of small, irregular-shaped fragments of silk, wool and other fabrics pieced together. The seams were then embroidered using a variety of stitches. They acquired the name “”crazy quilts”” because of the strong colors and busy, confusing nature of their designs, typical of Victorian taste.
Object Details. Title: Crazy Quilt. Date: ca. – Geography: Made in New England, United States. Culture: American. Medium: Cotton. Dimensions: 80 1/4 x.
Crazy Quilting, that wonderful Victorian pastime, is enjoying an immense resurgence in popularity. However, crazy quilting is somewhat of a misnomer. It is not quilted like a typical quilt, that is, no quilting stitches nor batting are employed in its construction. Also, one’s mental balance does not have to be in question to crazy quilt! Rather, a crazy quilt is a unique conglomeration of randomly pieced fancy fabrics with embroidered embellishments on nearly every seam and patch.
But it did not start out this way. The evolution of the Crazy Quilt, as we recognize it today, is a journey that illustrates the triumph of women’s imaginativeness and ingenuity in the face of unimaginable trials and tribulations. The random practice of piecing odd bits of cloth together was a money saving habit from Colonial times.
In the harsh and unfamiliar environment of the new world, the biggest factors needed to build a strong and enduring society required that the early settlers be hard working with a strong sense of responsibility, first to family and then to community. In the beginning, when the coverlets and blankets the colonists had brought with them began to wear out, they were patched until the cloth could no longer hold thread.
CRAZY FOR CRAZY QUILTS
Its demensions are 67 inches by 77 inches. Photo courtesy of the Marquette Regional History Center. Our research found many interesting connections between Flavia Barbeau Mrs. James Pendill and Margaret Childs Mrs.
Crazy Quilt Velvet pieces with elaborate embroidered stitches and cotton satteen backing, dating to the late ‘s. Donated by Mrs. Jeanette.
The term ” crazy quilting ” is often used to refer to the textile art of crazy patchwork and is sometimes used interchangeably with that term. Crazy quilting does not actually refer to a specific kind of quilting the needlework which binds two or more layers of fabric together , but a specific kind of patchwork lacking repeating motifs and with the seams and patches heavily embellished.
A crazy quilt rarely has the internal layer of batting that is part of what defines quilting as a textile technique. Crazy quilts differ from “regular” quilts in other ways as well. Because the careful geometric design of a quilt block is much less important in crazy quilts, the quilters are able to employ much smaller and more irregularly shaped pieces of fabric. In comparison to standard quilts, crazy quilts are far more likely to use exotic pieces of fabric, such as velvet , satin , tulle , or silk , and embellishments such as buttons , lace , ribbons , beads , or embroidery.
Crazy quilting as a textile art is extremely creative and free-flowing by nature, and crazy quilters will often learn as much about specific embellishments as they will about crazy quilting itself. Crazy quilts are extremely labor-intensive. A Harper’s Bazaar article from estimated that a full-size crazy quilt could take 1, hours to complete. Crazy quilts became popular in the late s, likely due to the English embroidery and Japanese art that was displayed at the Philadelphia Centennial Exposition.